一線牽 A Line of Connection



一線牽 A Line of Connection invites readers into the tactile experience of the intersection between fashion, bookbinding, and human relationships. This two-edition book showcases a series of seam samples and deconstructed fashion garments hand-produced with unbleached cotton muslin and red thread — a symbol of the ties between soulmates in Chinese mythology. 一線牽 A Line of Connection encourages reflection on the relationships we form and the threads that unite us beyond the social constructs of class, race, and politics.

Drawing from the Chinese mythology of how a red thread connects soulmates at the ankles, this book is a metaphor for the ties people form in real life. Similar to how garment elements fit together to form a whole garment, humans form connections to build their own community. However, no relationship is permanent, so aside from the knots used to bind the book, I intentionally chose not to permanently knot anything. Since muslin is the fabric used to prototype garments, by keeping the material simple, I felt that more attention would be placed on the stitching and construction of both the deconstructed garment and the binding, hence the red-colored thread to contrast with the rest of the book. Furthermore, I wanted the reader to question whether the garment elements in the pages of the book form an actual garment. I did not want to give a definite yes or no answer, and instead leave the answer up for interpretation. Lastly, I wanted to invite readers to experience fashion and book binding by interacting with the pages in the book, to consider the relationships they form with each other, and to reflect on a world without the social constructs of class, race, and politics.


Two Editions
Embroidered Cover - Using emrboidery floss, I hand stitched the Chinese title of the book onto linen book cloth.
Pages Fanned Out
Single Page Coptic Stitch - I hand bound the individual pages of the book together using waxed linen thread.
 Collar Page - One of the samples I made was a collar stitched using a backstitch, and tacked down by using Japanese book binding to the page with linen thread.
Batwing Sleeve Page - Another sample I made was the batwing sleeve, stitched together using an overcast stitched and sewn to the page using a backstitch.
Process

Patterns - After making prototypes, I created paper patterns for every page of the book to ensure the samples were the same size and shape across editions.
Binding Prototype - I tested the single page coptic binding using scrap materials.
Bodice Prototype on Paper - The front and back bodice were stitched together and tacked down using Japanese book binding.
Seam Sample Prototype on Paper - Overcast seam sample.
Circle Skirt Prototype on Paper - The circle skirt was sewn together with Japanese book binding and tacked down using a backstitch.